Coccoon

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Little male Osmia just emerged from his coccoon.

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This poor Osmia is absolutely loaded with mites. I wonder if this bee will survive with so many freeloaders?

 

In my exploration of the life cycle of bees, I became intrigued by the process of metamorphosis that bees go through within their little cells. The period when the larva spins a silk coccoon around itself and undergoes this amazing transformation is wonderous.  Here’s a short animation inspired by this magical process. The text in the video are fragments taken from the beautiful poetry of Carol Ann Duffy.

 

 

Wallpapered bees at the Miller Library

April 21, 2020 of the Covid year.

Well, sadly, the library is closed and has been for some weeks now.  I understand that the show might go on if the library is permitted to open in June. So, maybe there’s a light at the end of this viral tunnel.

Covid  is taking a toll on all of us. I wish for everyone to be safe and healthy despite the restrictions and closures.

Bee well until we get the OK!    jasna

I’ve just installed an exhibition of my work at the Elisabeth C. Miller Horticultural Library at U.W. It’s a pleasure to be here in Seattle, but sadly with the Corona virus health situation, so many events are being cancelled. The opening of the exhibition was postponed to March 28th, but it is not at all certain if that planned event will proceed.

The library and the exhibition are open!

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w h e n

To mark this first day of December 2019, and this last month of the year, here’s another experiment in animation continuing with the bees and text that I posted a week or so ago.

As these are only experiments, the science parts here – the relationship of bees to flowers needs more research, but I enjoy the challenge of balancing the art with the science.

The text fragments are from the beautiful poetry of Eleanor Rand Wilner, and the incredible bees from the Rolfs/Robinson specimens which I am still working through. The plant drawings are based upon my wildflower specimens which I collected last spring and summer in a dream meadow in the Okanagan.

 

Some of the bees which I have used in this animation:

if time it can be called

I’m experimenting with short animations based upon the Wenatchee bees – to see where this takes me.  In this video, I drew from my specimens of Goldenrod, Solidago canadensis, and one of the beautiful Rolfs/Robinson bees, a Colletes, to create the visuals. The text fragments are from the incredible poetry of Eleanor Rand Wilner, from her book entitled “The Girl With Bees in Her Hair.”

Wenatchee bees

 

Recently I had the pleasure of visiting a fellow bee-nerd friend in Wenatchee, WA., Lisa Robinson.  As part of her extensive work on pollinators, Lisa has learned how to pin insect specimens in the ‘European’ fashion, with the wings spread out and the legs extended. An exceedingly demanding and time-consuming process, Lisa learned this skill from her mentor is Dr. Don Rolfs.  I had the great pleasure of meeting him too. Don is very gracious and he generously shared some of his vast knowledge of native bees with me. I  found these specimens to be exceedingly inspiring visually and I was thrilled to be permitted to photograph them. The short animation here is a first experimental tryout of using the bees in an art work.

The pinning work!

 

 

P r e t t y : u s e f u l

Penticton Art Gallery, Penticton, B.C.  July 5th-September 15, 2019

I have the great pleasure of having an exhibition at the Penticton Art Gallery with my friend and fellow bee-enthusiast-entomologist, Lincoln Best.

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Botanical images, graphite drawing of lomatium, and “Summer” display of bees and herbarium specimens.

The title of the exhibition, “Pretty:useful”, hints at the language that we use to talk about plants, and I ask how that use of language reflects our relationship to the plants themselves?

Beautiful, useful, native, exotic, introduced, edible, nutritious, medicinal, noxious, aggressive, lucrative, rare, productive, keystone, endemic, passive, decorative, weedy, extirpated, healing, messy, restored, ornamental…

I question our relationship to plants, and wonder if we can move beyond seeing them as objects for our own use, to a less privileged, less-human-centered perspective to one where we can appreciate plants for themselves, with no question of value or worth to us? As Robert Harrison writes in his book, Gardens. An Essay on the Human Condition: 

We historically have lived as if the earth was given for us

…a privileged environment…with no sense of responsibilities towards its care. We saw ourselves as consumers and receivers.

 

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Yarrow, Twin Flower and a Larkspur seed sit next to Small-Flowered Blue Eyed Mary rendered in graphite

Two interconnected projects are presented in this exhibition– a large-scale installation of photographic images of closely observed native flora, printed on paper and dipped in melted beeswax.

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Walking onion. Archival inkjet print, melted beeswax

 

And as a counterpoint, over 200 little pollen colour drawings, rendered in powdery, soft pastel.

Pollen-wall

A wall of pollen

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Details of Pollen samples

 

To this, taxonomist Lincoln Best, adds a third thread, a selection of entomological specimens, collected from the myriad diversity of native bees that inhabit this unique region of our province, the southern interior.

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Lincoln Best’s “Spring”: herbarium specimens and bees from the early season.

The exquisitely mounted native bees, the pollen studies and the botanical images, represent a mere fragment of the diversity of the native flora and fauna found in the Southern Okanagan Valley, but scientist and artist hope that this limited representation will inspire viewers to explore the wonders to be found in our beautiful, but diminishing natural environments.