spring 2022

I haven’t added anything to my site since he exhibition at the High Desert Museum in Bend, Oregon, so I thought I would start with some spring wildflowers from the native Garry Oak Meadows from my neck of the woods.

The first image is a small bouquet of Camassia leichtlinii, (Great Camas), Lomatium utriculatum (Spring Gold), and Plectritis congesta (Sea Blush). These are merely 3 of the many wildflowers to be found in a Garry Oak meadow. Beautiful wildflowers much visited by a diversity of pollinators.

Garry Oak Bouquet.

Wallpaper of Spring Bouquet and Garry Oak acorns and leaves.

Thought I’d create a repeat wallpaper design from the flowers, and add to them the iconic and rare Garry Oak environment, suggested here by the acorns and leaves.

Garry Oak acorns and leaves

Not too long ago, I attended a wonderful and informative walk and talk at the UBC Botanical Gardens. The talk was given by the curator of the Westcoast native gardens, Ben Stormes. Ben is creating research Garry Oak Meadow so it is a work in progress, but nontheless, it is beautiful and I learned a great deal about this rare environment, which, like all things in nature, is shrinking because of habitat loss, development, pesticides, etc. A story we know all too well. I’m not going to end on a negative note because there are organizations, like the one on Vancouver Island, the Garry Oak Ecosystem Recovery Teams, which are restoring these beautiful native habitats.

“…in time’s hum…” at High Desert Museum

I’m thrilled to add these photos to a post!

Young scientists visiting Lincoln Best’s and my exhibition at the High Desert Museum in Bend, Oregon. All photos taken by Gail Langellotto-Rhodaback, and used with her gracious permission.

More of Gail’s photos:

I haven’t been able to travel to Bend because of the Covid restrictions, so I’m always excited when visitors to the exhibition post their photos on social media and share their comments. For me, bees and flowers are totally engaging, both as research and as subject matter for my art practice. It’s really exciting when visitors to the gallery are inspired by the exhibition!

Wenatchee bees

 

Recently I had the pleasure of visiting a fellow bee-nerd friend in Wenatchee, WA., Lisa Robinson.  As part of her extensive work on pollinators, Lisa has learned how to pin insect specimens in the ‘European’ fashion, with the wings spread out and the legs extended. An exceedingly demanding and time-consuming process, Lisa learned this skill from her mentor is Dr. Don Rolfs.  I had the great pleasure of meeting him too. Don is very gracious and he generously shared some of his vast knowledge of native bees with me. I  found these specimens to be exceedingly inspiring visually and I was thrilled to be permitted to photograph them. The short animation here is a first experimental tryout of using the bees in an art work.

The pinning work!

 

 

P r e t t y : u s e f u l

Penticton Art Gallery, Penticton, B.C.  July 5th-September 15, 2019

I have the great pleasure of having an exhibition at the Penticton Art Gallery with my friend and fellow bee-enthusiast-entomologist, Lincoln Best.

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Botanical images, graphite drawing of lomatium, and “Summer” display of bees and herbarium specimens.

The title of the exhibition, “Pretty:useful”, hints at the language that we use to talk about plants, and I ask how that use of language reflects our relationship to the plants themselves?

Beautiful, useful, native, exotic, introduced, edible, nutritious, medicinal, noxious, aggressive, lucrative, rare, productive, keystone, endemic, passive, decorative, weedy, extirpated, healing, messy, restored, ornamental…

I question our relationship to plants, and wonder if we can move beyond seeing them as objects for our own use, to a less privileged, less-human-centered perspective to one where we can appreciate plants for themselves, with no question of value or worth to us? As Robert Harrison writes in his book, Gardens. An Essay on the Human Condition: 

We historically have lived as if the earth was given for us

…a privileged environment…with no sense of responsibilities towards its care. We saw ourselves as consumers and receivers.

 

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Yarrow, Twin Flower and a Larkspur seed sit next to Small-Flowered Blue Eyed Mary rendered in graphite

Two interconnected projects are presented in this exhibition– a large-scale installation of photographic images of closely observed native flora, printed on paper and dipped in melted beeswax.

IMG_6622 walking onion for printing copy

Walking onion. Archival inkjet print, melted beeswax

 

And as a counterpoint, over 200 little pollen colour drawings, rendered in powdery, soft pastel.

Pollen-wall

A wall of pollen

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Details of Pollen samples

 

To this, taxonomist Lincoln Best, adds a third thread, a selection of entomological specimens, collected from the myriad diversity of native bees that inhabit this unique region of our province, the southern interior.

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Lincoln Best’s “Spring”: herbarium specimens and bees from the early season.

The exquisitely mounted native bees, the pollen studies and the botanical images, represent a mere fragment of the diversity of the native flora and fauna found in the Southern Okanagan Valley, but scientist and artist hope that this limited representation will inspire viewers to explore the wonders to be found in our beautiful, but diminishing natural environments.

 

 

 

A Few Blue Notes

In midwinter, when there are no bees and no flowers in bloom (or very few), and inside work takes precedence, sorting and sifting through images, specimens, and texts becomes the focus. All, in preparation of the new upcoming season.

This winter also, Brian and Crystine Campbell graciously featured some of my work in their 2019 seed catalogue, Uprising Seeds. (UprisingSeeds.com). Thank you so much, Brian and Crystine!

One of the most engaging aspects of my study of pollinators and their floral resources, is that of pollen. So, here is a small selection of some of the unusual colours that I’ve collected — some of the blues!

I’ve included only one native bee in this short animation, a sweat bee, an Agapostemon sp, from the Halictidae family. Not only are these brilliant little bees beautiful, but they even have the capacity to sonicate, or buzz pollinate flowers. What can be more amazing to see than a glorious metallic green bee, with blue eyes, and with blue pollen on its hind legs?

the bees do dream

Recently I made a very cool discovery — that snowflakes can form around a variety of different particles — rain, dust and even grains of pollen. This idea that high up in our atmosphere, the renmants of summer’s glorious flowers are swirling around in the dark, cold skies is just astounding. And, even more, that these tiny beautiful particles which are intrinsic products of plant life and critical resources for bees, can create the exquisite beauty of snowflakes, is inconceivable. The connection–pollen—bees—-pollen—-snowflakes is the inspiration for this little animation, “The Bees Do Dream.”

pressed for time 2018

Installation shot, Pressed for Time, Seymour Art Gallery.
Photo credit: Kara Wightman

The exhibition I am sharing with entomologist and friend, Lincoln Best opened on Sunday at the Seymour Art Gallery in North Vancouver. We had a great time at the vernissage! Thank you to all of you who came out to see the show. Exhibition continues at the gallery until July 21, 2018.

We are offering 2 workshops in tandem with this show–the first is on Sunday June 17, from 2-4 pm. A free drop-in drawing and printmaking workshop with artist Cyndy Chwelos, for participants of all ages. Everyone welcome!

The second free workshop is on Saturday, June 30, at 2:00 pm. Artist and author, Lori Weidenhammer (aka Madame Beespeaker) of Victory Gardens for Bees fame, and educator and naturalist Erin Udal will engage participants in an interactive, fun workshop on identifying native bees and gardening for pollinators!  Registration for this workshop is suggested and can be made through Seymour Art Gallery

 

Projection of Thimbleberry blossom: part of the exhibition.

I placed a blossom on my scanner to see what would happen to the anthers — would the blossom die, would the anthers open and shed their pollen?  Leaving the blossom on the scanner, I scanned the progress of development over several hours and then joined the still images into a video. (With many thanks for Ace Media for the video help).

Bees in Sun Valley 2018

I had the great privilege of being part of a group exhibition at the Sun Valley Center Gallery in Ketchum, Idaho. Here are some photos from the installation. I am showing 3 different but interconnected bodies of work here: the botanical imagery, a section of the printmaking piece from 2015, “not by chance alone,” and some of the pollen work I did based on Dorothy Hodges’ book, “Pollen Loads of the Honeybee.”

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bee-neighborly pollinator week

It seems early, spring is not officially here yet, but there are bulbs pushing up their bright heads through the soil and early shrubs and trees are bursting with delicate blossoms. Time to plan ahead for Pollinator Week 2018 (June 18-24).

I have the very great pleasure of having an exhibition in June and Pollinator Week falls within the duration of the show, so I’m creating a series of postcards that will be offered gratis to visitors to the gallery.

The postcards are little reminders/suggestions on creating a pollinator and bee-neighborly environment.

drawing from the herbarium

I have been collecting botanical specimens for some time now. The idea of ‘collection’ as a form of knowledge is of interest to me. What happens when one attempts to recreate nature by bringing as many objects as possible into one space? How can renmants and fragmentary things represent the whole or the real?