cultivating place

I had the great honour to be on Jennifer Jewell’s wonderful Cultivating Place pod cast recently. To talk about art and what inspires the creative process is such an enriching experience.  How often does one get to mine one’s past history, to consider the path, often circuitous, that leads to the present?

For those of you who follow Jennifer’s fabulous program, you will know what a masterful interviewer she is, and how she synthesizes ideas so skillfully into this wonderful exchange of words and experiences. If gardens are our repository of culture, of care for the earth and for one another, then Jennifer is that gardener, cultivating and nourishing this living substance of which we are all a part.  As Robert Harrison says, the true gardener is always the “constant gardener.”

Thank you Jennifer for spending this time with me!

 

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This episode will air again this Sunday morning, and it will become part of the  Cultivating Place archive, so you can listen in at any time:

 

 

Wallpapered bees at the Miller Library

April 21, 2020 of the Covid year.

Well, sadly, the library is closed and has been for some weeks now.  I understand that the show might go on if the library is permitted to open in June. So, maybe there’s a light at the end of this viral tunnel.

Covid  is taking a toll on all of us. I wish for everyone to be safe and healthy despite the restrictions and closures.

Bee well until we get the OK!    jasna

I’ve just installed an exhibition of my work at the Elisabeth C. Miller Horticultural Library at U.W. It’s a pleasure to be here in Seattle, but sadly with the Corona virus health situation, so many events are being cancelled. The opening of the exhibition was postponed to March 28th, but it is not at all certain if that planned event will proceed.

The library and the exhibition are open!

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what, then

“What, then calls me into question most radically?

These are the beginning words of a paragraph in Maurice Blanchot’s The Unavowable Community – one of the books on my Bibliography: the return project list. As I was browsing through the book, reading snippets, looking through the chapters and searching for a place in which to place an inscribed rose petal, Blanchot’s question caught my eye – especially as he asks this question under the subheading of “Someone Else’s Death.” Intriguing concepts Blanchot puts forward – that of death, of witnessing, and their relationship to identity and community.

Blanchot writes the first part of the Unavowable Community in response to Jean-Luc Nancy’s work, The Inoperable Community. The thought of literally ‘returning’ a fragment of Nancy text back into Blanchot’s book – in the form of an incribed rose petal, made me smile.