I am working with my archive of inscribed rose petals—the white ones, and with the classical figures, but as with the Nancy text, the figures are fragmentary. Dissolving into memory, they become distorted and removed from the original perfection of form.
Some time ago, I began a series of drawings on vellum that play with the concept of time in narration. How the viewer interacts, completes and interprets the work is also a part of the exploration. In my drawings I want to see how layering the images one on top of the other on a translucent surface affects their reading. The translucent paper allows the images to be read from the front as well as the back, and thus the effect of layering works from both sides right up to the final image, which is on opaque paper. The viewer also has to turn the pages herself/himself in order to see all of the layers in a drawing sequence. Giving the impression of pages turning is rather a difficult task, I’ll get better at it as I work through the process of documenting the completed drawings.