After almost a year, I am back to working on the bees again. (cf post from August 5,2012) A few months ago, a friend of mine, artist Elizabeth MacKenzie came for a studio visit. I showed her my wax bee drawings from last summer and said that I wanted to continue working on the bees, but that I had not yet found the form and the media that suited my purposes. My problem was to do with how I was approaching the bees – tiny little individual drawings that took a great deal of time (basically it would take me about 10 years working everyday – to complete my appointed task of drawing a colony of 40,000-50,000 individual bees). My subsequent attempts at creating groupings, swarms, etc. with more stylized shapes did not satisfy me at all. A bust! ( cf post Aug. 9 &15, 2012).
Elizabeth said that we understand bees not as individuals but rather as a very large mass, a community that has little or no differentiation. And she was right! She suggested I look to the lino cuts of Nancy Spero for inspiration. This I did, and yes, I found my path!
Lino cuts and stamps give me the pleasure of actually drawing bees, but at the same time, it is easier to create vast numbers of multiples. And further, each act of stamping creates a variation in the image – the amount of ink and the pressure applied add to the differences between each impression.