I found a beautiful book of poetry by the poet laureate, Carol Ann Duffy, called The Bees. Here’s one poem from that wonderful book. (I stole a phrase from this poem for my previous blog post, “shadowed busy heart.”)
The exhibition closed today. After all the bustle and excitement of hanging work, of opening night and then days of visitors–nothing now but whiteness of empty walls. It was wonderful to share this space with the other artists, from Sharon Kallis and her beautiful bio-netting installation; to Robin Ripley and the ethereal maple seeds and pennies; to Holly Schmidt’s elegant living room of duck weed, and Joy Witzche’s woven masterworks–these are but a few of the varied and engaging works here that in one way or the other, addressed contemporary issues on the environment.
I don’t have photographs of all the installations in this exhibition, but here is a small selection:
I attended a wonderful workshop yesterday given by artist Lori Weidenhammer. Lori’s workshops are part of the CULTIVATE exhibition at the Roundhouse.
Lori has been researching honeybees and native pollinators for more than 6 years. She knows about bees, she knows about gardening and plant species. She has an incredible aesthetic sense and a serious commitment to community education. This is the second time I’ve participated in one of Lori’s workshops (cf my post here August 4, 2013 “free fall”). I enjoy learning about the environment from Lori and I enjoy the art making that is an integral component of her workshops. Yesterday we made handmade paper into which we embedded flower petals and seeds. The paper will be made into little cards that can be given away as gifts. They are beautiful on their own. More importantly though, the embedded seeds can be planted in the garden–a small encouragement to help our native pollinators!
Lori spoke about the need for evidence on the relationship of honeybees, our native pollinators and the availability of forage. How much forage do honeybees need? Is there aggressive competition between honeybees and other pollinators? Are we favoring honeybees to the detriment of solitary bees and other native pollinators that are also in serious trouble? Should honeybees be treated like pigs and chickens, ie. food sources, or should bees have a different status? Important questions.
What a great evening it was! My thanks are due to the Roundhouse Community Center and especially to the Arts Progammer and Curator, (and dear friend, gifted artist and educator) Cyndy Chwelos for her dedication and support of the arts, and her willingness to explore varied artistic practices. I’m so glad that Cyndy included me in this exhibition! Thank you Cyndy for this opportunity. It takes a great deal of hard work and time to put together an interesting and engaging exhibition, especially one that includes so many artists and different artistic forms. From the initial stages of coming up with ideas for an exhibition, to seeking out artists, to making numerous studio visits, to writing plans, contracts; organizing workshops, making bookings, arranging for advertising, sorting out technical issues involved with installation, preparing for the opening night, overseeing the exhibition during the time the gallery is open, dealing with problems and issues over and over again; then taking care of de-installation — the amount of work it takes is immense, the orchestration complex. And what I see (as a participating artist) and what visitors to the gallery and workshops see, are the finished products–the beautiful exhibits, the smoothly running workshops, the buzzing opening nights. We see none of the hard work that has gone into preparing an exhibition like this. So Cyndy, a big, full “Brava!” to you. (If however, you were to ask Cyndy about this, she would say that this is her passion, her work, her practice now!)
I also wish to add that without my friend, (eminent artist and art educator), Elizabeth MacKenzie, I would have been too afraid to participate with my bee project. Elizabeth is very generous with her time and her thoughtful insights are much appreciated. Thank you Elizabeth!
I want to thank the 4 young performers from UBC and Cap College who took up my invitation to interpret a 17th century madrigal for this opening night. The piece was written by the polymath, Charles Butler. Butler was one of the first persons to recognize that the Queen bee was in fact female–and not male (the accepted patriarchal notion of the day). Butler wrote a book on bees and beekeeping called the “The Feminine Monarchie,” and for the 1623 edition, he added this madrigal which he himself composed to the glory of the Queen bee.