What a great evening it was! My thanks are due to the Roundhouse Community Center and especially to the Arts Progammer and Curator, (and dear friend, gifted artist and educator) Cyndy Chwelos for her dedication and support of the arts, and her willingness to explore varied artistic practices. I’m so glad that Cyndy included me in this exhibition! Thank you Cyndy for this opportunity. It takes a great deal of hard work and time to put together an interesting and engaging exhibition, especially one that includes so many artists and different artistic forms. From the initial stages of coming up with ideas for an exhibition, to seeking out artists, to making numerous studio visits, to writing plans, contracts; organizing workshops, making bookings, arranging for advertising, sorting out technical issues involved with installation, preparing for the opening night, overseeing the exhibition during the time the gallery is open, dealing with problems and issues over and over again; then taking care of de-installation — the amount of work it takes is immense, the orchestration complex. And what I see (as a participating artist) and what visitors to the gallery and workshops see, are the finished products–the beautiful exhibits, the smoothly running workshops, the buzzing opening nights. We see none of the hard work that has gone into preparing an exhibition like this. So Cyndy, a big, full “Brava!” to you. (If however, you were to ask Cyndy about this, she would say that this is her passion, her work, her practice now!)
I also wish to add that without my friend, (eminent artist and art educator), Elizabeth MacKenzie, I would have been too afraid to participate with my bee project. Elizabeth is very generous with her time and her thoughtful insights are much appreciated. Thank you Elizabeth!
I want to thank the 4 young performers from UBC and Cap College who took up my invitation to interpret a 17th century madrigal for this opening night. The piece was written by the polymath, Charles Butler. Butler was one of the first persons to recognize that the Queen bee was in fact female–and not male (the accepted patriarchal notion of the day). Butler wrote a book on bees and beekeeping called the “The Feminine Monarchie,” and for the 1623 edition, he added this madrigal which he himself composed to the glory of the Queen bee.