all pollinators

paper-seeds-3

I attended a wonderful workshop yesterday given by artist Lori Weidenhammer. Lori’s workshops are part of the CULTIVATE exhibition at the Roundhouse.

Lori has been researching honeybees and native pollinators for more than 6 years. She knows about bees, she knows about gardening and plant species. She has an incredible aesthetic sense and a serious commitment to community education. This is the second time I’ve participated in one of Lori’s workshops (cf my post here August 4, 2013 “free fall”). I enjoy learning about the environment from Lori and I enjoy the art making that is an integral component of her workshops. Yesterday we made handmade paper into which we embedded flower petals and seeds. The paper will be made into little cards that can be given away as gifts. They are beautiful on their own.  More importantly though, the embedded seeds can be planted in the garden–a small encouragement to help our native pollinators!

paper-seeds

Lori spoke about the need for evidence on the relationship of honeybees, our native pollinators and the availability of forage. How much forage do honeybees need? Is there aggressive competition between honeybees and other pollinators? Are we favoring honeybees to the detriment of solitary bees and other native pollinators that are also in serious trouble? Should honeybees be treated like pigs and chickens, ie. food sources, or should bees have a different status?  Important questions.

a return: bees

After almost a year, I am back to working on the bees again. (cf post from August 5,2012) A few months ago, a friend of mine, artist Elizabeth MacKenzie came for a studio visit. I showed her my wax bee drawings from last summer and said that I wanted to continue working on the bees, but that I had not yet found the form and the media that suited my purposes. My problem was to do with how I was approaching the bees – tiny little individual drawings that took a great deal of time (basically it would take me about 10 years working everyday – to complete my appointed task of drawing a colony of 40,000-50,000 individual bees). My subsequent attempts at creating groupings, swarms, etc. with more stylized shapes did not satisfy me at all. A bust! ( cf post Aug. 9 &15, 2012).

Elizabeth said that we understand bees not as individuals but rather as a very large mass, a community that has little or no differentiation. And she was right! She suggested I look to the lino cuts of Nancy Spero for inspiration. This I did, and yes, I found my path!

Lino cuts and stamps give me the pleasure of actually drawing bees, but at the same time, it is easier to create vast numbers of multiples. And further, each act of stamping creates a variation in the image – the amount of ink and the pressure applied add to the differences between each impression.

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what then 3

I’ve been reading Nancy’s Being Singular Plural these past weeks and was struck by his argument for understanding ourselves as beings together, always beingsthat before anything else, before individuality, before being in the world, there is plurality. The very essence of existence is plurality. There is no such thing as one, alone, existing in the world, in any form of life.  I am of course, reducing Nancy’s complex ideas of relationality and ontology into a form that I can grasp, so my apologies here, but, this fundamental concept of our existence gets to the very ground of relationships. We view ourselves as separate individuals, and so we are, but at the same time, we are inextricably bound to one another through the very fact that life is always already together, and without that, there would be nothing, no world, no life.  We try so hard to remain separate, I and you, we and they, one and others, my country, your religion, their class, her gender, his appearance, etc., the list is long. And at the same time, we try to negotiate togetherness within the perceived separations. A tricky balance.