what happens is this

Still searching for ways in which to use the mark-making qualities of the rose petals, I’m continuing with the rose skid drawings, this time making rose shapes (go figure), and then taking them to another state with over-drawing, watercolor staining and drips. The rose marks are not indelible, so they too drip and run in the process. The text fragment is yet again, a theft from J-L. Nancy.

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skids and blue

Working on these large drawings is such great fun. The cerulean and cobalt blue are colors that I’ve used for over-drawing since I started the rose scribing process, but here I get to use the colors on a larger scale. The idea for the blue comes from Jean-Luc Nancy. In the essay, “The Image – The Distinct” (Ground of the Image), he says that “Every image has its sky even if it is represented as outside the image or is not represented at all.” I was intrigued by the statement, and thus decided to use ‘blues’ as trace references to Nancy’s text.

Rose skid drawings

When I first started working with the red rose petals in January of 2010, (cf. Withdrawn: scribing Nancy for that project) I looked for other ways of using and documenting the roses beyond the scribing and tattooing of the petal surface.  I explored the petals as a possible drawing medium, to see what kinds of marks the rose dye could make.  I filled several long rolls of drawing vellum with ‘rose skids’ (each petal crushed and smashed and dragged against the surface of the paper).  Using every single petal of each rose – including the yellowish stamens and pistels – the work also served to document/present each rose in an alternate manner.

I posted 2 blogs on these rose skids early on here (see entries for January 4 and 6th, 2011, “Side Things” and More Rose Skids”). I’ve taken that initial work a step further and used it as the space to explore new drawings. Flowers have been used by some pretty heavy-weight artists (just to name a few I admire – Georgia O’Keefe, Henri Matisse,  Andy Warhol, Cy Twomby). So, I’ve acknowledged the precedence set by the above artists directly in my drawings. This I have done as text scribbles. Of course, I’ve also added Jean-Luc Nancy’s name since I’ve been appropriating his work for almost two years now.