This set of images represent a re-interpretation of the opening phrases of Jean-Luc Nancy’s essay “On the Threshold,” from his text The Muses. Nancy examines a painting by Caravaggio, “The Death of the Virgin,” (1605-6) and utilizes the complex spaces, colors and forms of this work to explore ideas of the relationship of viewer to image.
I have chosen to do this transcription in white with tones of grey, in order to examine this in-between space, this threshold.
I have the honour of working with a video artist, Cindy Mochizuki on a project that explores and expands upon my text-based drawing/inscribing project Withdrawn: scribing Nancy . We are taking the project into an entirely new direction for me, video. I think of this direction, this process, these video objects as ones which engage the viewer in a multi-sensorial experience of space: the projector, the screen, the expanse of floor and wall, the dark, and then the light that fills the space between these objects, the sounds, the flickering images and the simultaneous distension and restraint of time, combine to push the viewer over the threshold and into the space of the image:
” The image throws in my face an intimacy that reaches me in the midst of intimacy – through sight, through hearing, through the very meaning of words…the seduction of images, their eroticisim, is nothing other than their availability for being taken, touched by the eyes, the hands, the belly, or by reason and penetrated. The gaze impregnated with color, the ear with sonority.”
(Video stills by Cindy Mochizuki)