I have the great privilege of being part of the Memory Festival this year, at the Roundhouse Community Centre. The week’s program, which runs from November 13th to the 18th, contains an interesting variety of offerings, from text-based community projects, to performances, to installations of 2-dimensional work. Each presentation explores the concept of memory from a different perspective.
I will be showing some of my work from the Withdrawn:scribing Nancy series, including a video made with my friend, the multidisciplinary artist, Cindy Mochizuki. Cindy is presenting a performance at the Memory Festival, and the artefacts from her performance will be on exhibit as well. My friend, Elizabeth MacKenzie is creating a text-based installation specifically for the Memory Festival. I am in astounding company, to say the least!
I’ve taken these words from the opening paragraph of Jean-Luc Nancy’s essay “Paean to Aphrodite,” (Multiple Arts, Muses II). Taking one concept, one name—Aphrodite, he traces an intricate map of the goddess and her trajectory (physical, linguistic, mythic) through her various appellations and manifestations. He asks, “But why does the beautiful never let us go? When everything is ugly, all that remains of it is a memory.” I am interested in that phrase, “what remains.” Renmants— unsaid, undone, unknown, invisible. What remains?
The text in the image above, I’ve drawn directly onto my studio wall. The small pile of objects that form part of this installation are the renmants of the dried, inscribed, white rose petals I used for the magnificat project that I did last year. (See my post of May 11, 2011, “re-inscription in progress”).