Dotted runways

Here’s a little study of a beautiful wildflower of the Garry Oak Meadows — Erythranthe guttata, Yellow Monkey Flower. Phrymaceae.

The most dramatic part of this flower, (apart from the golden colour) are the deep crimson markings on the lower petals of the blossom, markings that lead an insect visitor to the nectar. Now, bees see things differently from us, so to see how a bee sees those markings would require both a UV filter and bee-vision filters. An interesting aspect to pursue!

One of the cool discoveries I made in observing the blossoms of this plant is that those markings differ from flower to flower. Here’s a small sample of some of the variations. I’ve morphed the colours in order to enhance the visibility of those markings.

I’ve dissected several blossoms, and another very cool aspect of these blossoms are the very hairy bulges on lower petals. Apparently, the hairs collect not only pollen from the flower’s own anthers — ergo, the plant can self-pollinate, but also pollen carried by incoming bees, so there’s cross-pollination too. Double reproductive security for this plant.

More surprises from this beautiful wildflower — the calyx, the little structure that holds the blossom and all its reproductive parts, inflates after the flower has finished its display, enclosing and protecting the seed pod within its papery cover. I’ve made a short animation to explore this wonderous aspect of the flower’s life cycle. It’s entitled Postcript because it’s the last part of the flower’s life cycle.

Postscript

cultivating place

I had the great honour to be on Jennifer Jewell’s wonderful Cultivating Place pod cast recently. To talk about art and what inspires the creative process is such an enriching experience.  How often does one get to mine one’s past history, to consider the path, often circuitous, that leads to the present?

For those of you who follow Jennifer’s fabulous program, you will know what a masterful interviewer she is, and how she synthesizes ideas so skillfully into this wonderful exchange of words and experiences. If gardens are our repository of culture, of care for the earth and for one another, then Jennifer is that gardener, cultivating and nourishing this living substance of which we are all a part.  As Robert Harrison says, the true gardener is always the “constant gardener.”

Thank you Jennifer for spending this time with me!

 

photo ad for cultivating place

This episode will air again this Sunday morning, and it will become part of the  Cultivating Place archive, so you can listen in at any time:

 

 

Wallpapered bees at the Miller Library

April 21, 2020 of the Covid year.

Well, sadly, the library is closed and has been for some weeks now.  I understand that the show might go on if the library is permitted to open in June. So, maybe there’s a light at the end of this viral tunnel.

Covid  is taking a toll on all of us. I wish for everyone to be safe and healthy despite the restrictions and closures.

Bee well until we get the OK!    jasna

I’ve just installed an exhibition of my work at the Elisabeth C. Miller Horticultural Library at U.W. It’s a pleasure to be here in Seattle, but sadly with the Corona virus health situation, so many events are being cancelled. The opening of the exhibition was postponed to March 28th, but it is not at all certain if that planned event will proceed.

The library and the exhibition are open!

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if time it can be called

I’m experimenting with short animations based upon the Wenatchee bees – to see where this takes me.  In this video, I drew from my specimens of Goldenrod, Solidago canadensis, and one of the beautiful Rolfs/Robinson bees, a Colletes, to create the visuals. The text fragments are from the incredible poetry of Eleanor Rand Wilner, from her book entitled “The Girl With Bees in Her Hair.”

P r e t t y : u s e f u l

Penticton Art Gallery, Penticton, B.C.  July 5th-September 15, 2019

I have the great pleasure of having an exhibition at the Penticton Art Gallery with my friend and fellow bee-enthusiast-entomologist, Lincoln Best.

IMG_9212

Botanical images, graphite drawing of lomatium, and “Summer” display of bees and herbarium specimens.

The title of the exhibition, “Pretty:useful”, hints at the language that we use to talk about plants, and I ask how that use of language reflects our relationship to the plants themselves?

Beautiful, useful, native, exotic, introduced, edible, nutritious, medicinal, noxious, aggressive, lucrative, rare, productive, keystone, endemic, passive, decorative, weedy, extirpated, healing, messy, restored, ornamental…

I question our relationship to plants, and wonder if we can move beyond seeing them as objects for our own use, to a less privileged, less-human-centered perspective to one where we can appreciate plants for themselves, with no question of value or worth to us? As Robert Harrison writes in his book, Gardens. An Essay on the Human Condition: 

We historically have lived as if the earth was given for us

…a privileged environment…with no sense of responsibilities towards its care. We saw ourselves as consumers and receivers.

 

IMG_9318

Yarrow, Twin Flower and a Larkspur seed sit next to Small-Flowered Blue Eyed Mary rendered in graphite

Two interconnected projects are presented in this exhibition– a large-scale installation of photographic images of closely observed native flora, printed on paper and dipped in melted beeswax.

IMG_6622 walking onion for printing copy

Walking onion. Archival inkjet print, melted beeswax

 

And as a counterpoint, over 200 little pollen colour drawings, rendered in powdery, soft pastel.

Pollen-wall

A wall of pollen

pollen-samples

Details of Pollen samples

 

To this, taxonomist Lincoln Best, adds a third thread, a selection of entomological specimens, collected from the myriad diversity of native bees that inhabit this unique region of our province, the southern interior.

wax-currant-display

Lincoln Best’s “Spring”: herbarium specimens and bees from the early season.

The exquisitely mounted native bees, the pollen studies and the botanical images, represent a mere fragment of the diversity of the native flora and fauna found in the Southern Okanagan Valley, but scientist and artist hope that this limited representation will inspire viewers to explore the wonders to be found in our beautiful, but diminishing natural environments.

 

 

 

small atlas of bees

In honour of World Bee Day, May 20, 2019, I’ve created a composite of experimental cyanotype works using actual bee specimens. (Only dead bees found in the garden were used here). With the 3-dimensional bee forms, the resulting images have considerable blur — where the bee actually touches the sensitized paper, the silhouette  of the bee is recorded with some degree of clarity, but in other areas, the forms are more ambiguous. In terms of the text, the work of British poet, Carol Ann Duffy came to mind; her book “The Bees” is a marvellous compendium of her ruminations on bees, on us, and our relationship to the environment. I’ve used fragments from two of her poems to create this animation.

 

A Few Blue Notes

In midwinter, when there are no bees and no flowers in bloom (or very few), and inside work takes precedence, sorting and sifting through images, specimens, and texts becomes the focus. All, in preparation of the new upcoming season.

This winter also, Brian and Crystine Campbell graciously featured some of my work in their 2019 seed catalogue, Uprising Seeds. (UprisingSeeds.com). Thank you so much, Brian and Crystine!

One of the most engaging aspects of my study of pollinators and their floral resources, is that of pollen. So, here is a small selection of some of the unusual colours that I’ve collected — some of the blues!

I’ve included only one native bee in this short animation, a sweat bee, an Agapostemon sp, from the Halictidae family. Not only are these brilliant little bees beautiful, but they even have the capacity to sonicate, or buzz pollinate flowers. What can be more amazing to see than a glorious metallic green bee, with blue eyes, and with blue pollen on its hind legs?

the bees do dream

Recently I made a very cool discovery — that snowflakes can form around a variety of different particles — rain, dust and even grains of pollen. This idea that high up in our atmosphere, the renmants of summer’s glorious flowers are swirling around in the dark, cold skies is just astounding. And, even more, that these tiny beautiful particles which are intrinsic products of plant life and critical resources for bees, can create the exquisite beauty of snowflakes, is inconceivable. The connection–pollen—bees—-pollen—-snowflakes is the inspiration for this little animation, “The Bees Do Dream.”

pressed for time 2018

Installation shot, Pressed for Time, Seymour Art Gallery.
Photo credit: Kara Wightman

The exhibition I am sharing with entomologist and friend, Lincoln Best opened on Sunday at the Seymour Art Gallery in North Vancouver. We had a great time at the vernissage! Thank you to all of you who came out to see the show. Exhibition continues at the gallery until July 21, 2018.

We are offering 2 workshops in tandem with this show–the first is on Sunday June 17, from 2-4 pm. A free drop-in drawing and printmaking workshop with artist Cyndy Chwelos, for participants of all ages. Everyone welcome!

The second free workshop is on Saturday, June 30, at 2:00 pm. Artist and author, Lori Weidenhammer (aka Madame Beespeaker) of Victory Gardens for Bees fame, and educator and naturalist Erin Udal will engage participants in an interactive, fun workshop on identifying native bees and gardening for pollinators!  Registration for this workshop is suggested and can be made through Seymour Art Gallery

 

Projection of Thimbleberry blossom: part of the exhibition.

I placed a blossom on my scanner to see what would happen to the anthers — would the blossom die, would the anthers open and shed their pollen?  Leaving the blossom on the scanner, I scanned the progress of development over several hours and then joined the still images into a video. (With many thanks for Ace Media for the video help).